I'm going to have to ask you to stop harassing our fans, please. We don't make puppet accounts - we're too busy for something like that, even if we wanted to. I really do appreciate the feedback you've given us and others in the EVN community, but your rhetoric here is offensive to the community at large. Just because someone is trans doesn't mean they are fake - while where you live it might be less common, trans people aren't uncommon here in the west. You'd be hard pressed to find a college student who doesn't know a trans person here!

Also, the EVN community is a very  LGBT positive community, which naturally attracts a lot more trans people (as it's a place they can be more free of abuse). So, believe me, you will see plenty more trans people around these parts - and Watercress, roughly 30 people strong, is about 50% LGBT, with more than one trans person working for us. You'll see a lot of that in the EVN community :)

Wolf, Watercress Studio Director

"Making people feel recognized and validated was our main goal."

Does it mean that you inserted a transgender character in hope that transgender people (plus cisgender people who feel bad for transgenders) will notice such "feature", jump from joy and call your game the best game ever?

>We feel that any focus on the 'why' of the situation would detract from what we felt was most important: the two characters.

I don't know how it worked for your other players, but for me personally it made hard to relate with the main characters. And it's condsidering that I DO have tragic episode in my life when the person whom I loved the most was slowly dying from cancer and I could do NOTHING to save her. I didn't need time loop in order to understand it.

>Background isn't as important because the feeling of impending dread is so common, that we don't have to establish a why behind it.

At the least for me characters without background are swallow. Considering what you said it look like lack of background is cowardice on part of the writer(s). "What if I will provide background, but players will consider problems of the main heroine insignificant? Better make it abstract and vague". As player I can understand that the heroine is afraid of something, but it's impossible for me to relate to her when I lack her background. For different and better approach look at https://watercress.itch.io/our-home  (Congratulations on good storytelling here, by the way!) The characters have much more specific background (we don't know anything about them from start, but learn more during the story) and it helps to relate to them more (or at the least have some feelings toward them rather than indifference. Even if said feelings are negative).

> we don't have to establish a why behind it

Let me tell you short story. A boy loved a girl. And the girl loved the boy. But their families deeply hated each other. The girl's family was forcing her to marry a man with whom she wasn't in love, so she faked her death in order to avoid the marriage. But the boy thought that she died for real and commited suicide. After discovering that her loved one killed himself the girl commited suicide too. The end.

Does it feel like the most tragic love story of all time? There are so many blank spaces where the reader can use his/her imagination to fill out details. But I think that for the most readers it's "no". At the most it looks like promising premise that can be expolited with different degrees of success when a writer will add details (what basically Shakespear did). This is also why people can be cold-blooded when they hear news reports about tragic events in life of real humans, but cry about cruel fate of fictitious ones.

>we didn't insert a trans character - she's just trans

This is not just about apperance (like having black skin, although being black can also play big part in psychology of some people): it's part of personality of said character. Does it serves purpose of story to have character(s) with such personality traits? My friend once told me that in stories of great writers, unlike in stories of ordinary writers, every single detail serves some purpose and I agree with him. For example, take look at the ending of "1984": it's not clear if the main character was killed or spared. Why was such seemingly important part of story left behind? Because, from psychological point of view, the main character ALREADY DIED. The party broke his will and made him love the Big Brother. It doesn't matter what happened with him next, he became a brainwashed puppet of totalitarian regime. Another example, the very first sentence from "1984": "It was a bright cold day in April, and the clocks were striking thirteen". The very first statement symbolically hints that it's both fantastical (clocks don't strike thirteen in our world, at the most they can strike twelve. Except maybe digital clocks, but it's not the case here) and unfortunate place (because thirteen is associated with bad luck).

>like the MC of Let Go. is a straight African American male

Also, trans people are quite rare. And not all of them are open about fact that they are transgenders. To give you analogy, if I wrote a story about place where I live (Kazakhstan) it would feel very strange and awkward if I just randomly introduced a black person without a good reason (Example of good reason: I could use the fact that they are black in order to highlight that said person is a foreigner, to emphasize how alien s/he is to this place). Black people in my country are extremely rare, I have seen only three of them in my entire life and all of them were, most likely, foreigners.

>I hope that helps you understand our perspective, and we'll be sure to take your comments into consideration in our future projects!

I understand, everybody makes mistakes. As Jake the dog said "Dude, sucking at something is the first step of being GOOD at something".